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In a famous review, J. Hillis Miller suggested that M. H. Abrams's landmark study Natural Supernaturalism was obsolescent upon publication, because it critiqued Romanticism using assumptions inherited from the Romantics themselves. Miller patronizingly linked Abrams to the "grand tradition of modern humanistic scholarship, the tradition of Curtius, Auerbach, Lovejoy, C. S. Lewis" (Davis 429). The compliment was lost on Abrams, who responded with his essay "The Deconstructive Angel" (1977), one of the earliest and still one of the most incisive critiques of poststructuralist interpretive strategies.

I doubt if C. S. Lewis would have enjoyed the compliment either. Throughout a lifetime of writing, two words which nearly always connote something wrong-headed or distasteful in his books are "modern" and "humanistic." Yet Lewis's critical essays invite re-reading according to another famous remark by Miller--that "all good readers are and always have been deconstructionists" (Johnson 5). The results of such a project might well surprise both Lewis's admirers and his detractors.

One of the recurring gestures of postmodern writers is to deny a center. Derrida critiques Western metaphysics from Plato to Kant, saying that all these philosophies posit some absolute, some unsituated signified, from which stable structures of meaning may be framed. He contends that there can be no such transcendent foundation, whether you call it God, a platonic Idea, Hegel's Geist, or even the unmediated Self of Husserl. Michel Foucault, and the culture critics who follow him, deny that history has a center, that there are mechanisms of causation which can be discovered by careful analysis. And Roland Barthes, as well as many American deconstructionists, deny that a text has a center, a structural unity or stable set of signifiers. 

C. S. Lewis is certainly one of the most well-known and well-regarded Christian writers of this century, and one would assume that his world-view would commit him to everything which the poststructuralists deny. In exploring the current critical landscape, students of C. S. Lewis may wonder where Lewis might fit in. The simple answer is that he is off the map. Lewis was a theist, a traditionalist, one who assumed that a text had meaning, and who even insisted upon universal ethical values. 

Yet Lewis said that the educated person "is almost compelled to be aware that reality is very odd and that the ultimate truth, whatever it may be, must have the characteristic of strangeness" [Christianity 23]. And strange indeed is the experience I have had reading critical theorists of the past few decades. In the midst of grappling with Derrida on Levi-Strauss, Foucault on social mores, or Roland Barthes on Balzac, I have had moments of thinking I've read this sort of critique before. And, strange to say, the echoes I was hearing came not from Nietzsche or Wittgenstein, but from the pages of C. S. Lewis.

My first example of deja vu comes from Derrida's famous critique of Claude Levi-Strauss. Influenced by the theories of the great linguist Ferdinand de Saussure, Levi-Strauss inventoried 800 myths as sign systems on the analogy of languages, where meaning emerges from binary oppositions among signifiers. In the Overture to his 4-volume Mythologiques (1964-71), Levi-Strauss announced: "I therefore claim to show, not how men think in myths, but how myths operate in men's minds without their being aware of it" (qtd. in Leitch 19). The goal of Levi-Strauss, according to commentator David Leitch, was to uncover "primordial forces of nature, underl[ying] culture and consciousness" (19). 

Derrida seriously undermined Levi-Strauss's structuralist project in a presentation published as "Structure, Sign, and Play in the Discourse of the Human Sciences." Derrida pointed out that the attempt to interpret the underlying structure of myths assumed an ability to stand outside interpretive structures, to free oneself from one's own cultural understandings for an objective view of culture. But one cannot transcend one's own cultural paradigms to order to scientifically study the nature of cultural paradigms. Derrida insists that we consider "the structurality of structure," recognizing that there is no absolute center, no fixed vantage point which is not itself implicated in the structure. 

Obviously, this observation has serious implications for Western philosophy in general, especially for those who would posit a Divine Absolute. Yet C. S. Lewis, the resolute theist, offered a similar critique, though in a more folksy idiom, in his essay "Meditation in a Toolshed," first published in 1945. Lewis begins by recounting an experience in which he was standing in a dark toolshed with only a beam of light coming in through a crack in the door. When he looked at the sunbeam, he saw nothing but specks of dust with darkness behind them. But when he moved so that the sunbeam fell across his eyes, he no longer saw the toolshed, or the sunbeam, but rather he could see outside--grass and trees and sky, even the sun 90 million miles away. He concludes, "Looking along the beam and looking at the beam are very different experiences" (Meditation 212). 

Next Lewis offers a series of contrasts between looking at and looking along: the way it feels to be in love vs. the way a biologist would describe hormonal activity; the actual process of thinking vs. brain function as a neuropsychologist might observe it. Then he asks, which is the truer picture: looking at or looking along? Someone standing beside him in the toolshed might discount his description of the world outside because all they could see from their vantage point was the sunbeam. But then someone else could be standing to the side, observing the observer. As Lewis concludes, "In other words, you can stand outside one experience only by stepping inside another. Therefore, if all inside experiences are misleading, we are all misled" (Dock 215). 

The following year Lewis applied this perspectivist paradigm to Freudian and Marxist critiques of religious belief. In "'Bulverism,' or the Foundation of 20th Century Thought," he begins by noting that Freudians interpret individual thought processes in terms of "bundles of complexes" and Marxists in terms of "economic interests," both dismissing Christian arguments for belief as "ideologically tainted" (Bulverism 271-72). But Lewis reminds them that "Freudianism and Marxism are as much systems of thought as Christian thelogy. ... The Freudian and Marxian ... cannot criticize us from outside; they have sawn off the branch they were sitting on" (Bulverism 272). 
Lewis's criticism resembles what is now known as the Mannheim paradox, first formulated by Karl Mannheim: if all ideology is motivated by economic interests, whose economic interests does Marxism serve? How is Marx immune from his own generalization and how does he explain his own access to real causes behind ideology? (McGowan 66). Lewis's critique of Freud has been amplified by Paul Vitz in his essay, "The Psychology of Atheism." Vitz examines the lives of Voltaire, Freud, Madeleine Murray O'Hare, and several other notable atheists, finding in each case an unusually troubled relationship with their father. It would seem possible that each has tried to symbolically kill their male parent by projecting him into a transcendent sphere and then declaring he doesn't exist. As Vitz's rather impish analysis suggests, it is just as easy to construe unbelief as neurosis as it is belief. 

Like Derrida, Lewis emphasizes that all analysis is situated, that there is no position of utter objectivity from which one may think about thinking itself. Derrida's critique is, of course, the more radical one, and he is quite aware that he himself is situated; in his essays Derrida is forever cheerfully sawing the branch off beneath himself even as he writes. (I defer the question as to whether his anti-foundationalism is a subtler form of foundationalism.) 

Just as Derrida has de-centered Western philosophy, others have decentered Western historiography. Peter Novick in That Noble Dream: The "Objectivity" Question and the American Historical Profession, asserts the goal of historians in the first half of this century was to make history into a science, to reconstruct the past objectively, "how it actually was," in Leopold Von Ranck's phrase. According to Novick, "the most universal of 'regulative fictions' used to find order in the chaotic past is periodization, cutting the continuous thread of time into manageable lengths" (16). Novick goes on to trace the work of Michel Foucault, Michael Polanyi, Thomas Kuhn and others to show how thoroughly this ideal of value-free history has been exploded. 

Lewis's work in literary history often doubled as cultural history, and one might suppose he saw himself recovering for modern readers a sense of "how it actually was." But here again we find his comments on historiography complementing rather than contradicting what has been said more recently. His magisterial book The Discarded Image pieces together the medieval world-picture like a great rose window of stained glass, concluding that "few constructions of the human imagination seem to me to have combined splendour, sobriety, and coherence in the same degree." But then Lewis adds that the Medieval Model has a serious defect: it was not true (216). 
Having granted that fact, he goes on to examine the way in which any world-view, including modern ones, can be said to be "true." He notes that the medieval model was not "refuted by the telescope," nor overthrown by empirical evidence in general, but rather by a growing awareness of how much more economically the Copernican model "saved the appearances." He also shows that the predominant Evolutionary model of the 19th century was already widespread before Darwin's discoveries lent empirical weight to the paradigm. 

Lewis concludes that "No model is a catalogue of ultimate realities, and none is a mere fantasy. Each is a serious attempt to get all the phenomena known at a given period, and each succeeds in getting in a great many. But also, no less surely, each reflects the prevalent psychology of an age almost as much as it reflects the state of that age's knowledge. It is not impossible that our own Model will die a violent death... But I think it is more likely to change when, and because, far-reaching changes in the mental temper of our descendants demand that it should. The new Model will not be set up without evidence, but the evidence will turn up when the inner need for it becomes sufficiently great. It will be true evidence. But nature gives most of her evidence in answer to the questions we ask her" (222-23). This outline of how scientific models rise and fall strikingly anticipates that landmark study published eight years later, Thomas H. Kuhn's The Structure of Scientific Revolutions (1962). 

Lewis was just as circumspect about historical paradigms as he was about scientific paradigms. The same year The Discarded Image was published, he commented on the heuristic nature of historical periods: "All lines of demarcation between what we call 'periods' should be subject to constant revision. Would that we could dispense with them altogether! As a great Cambridge historian [G. M. Trevelyan] has said: 'Unlike dates, periods are not facts. They are retrospective conceptions that we form about past events, useful to focus discussion, but very often leading historical thought astray. The actual temporal process, as we meet it in our lives . . . has no divisions. . . .  Change is never complete, and change never ceases. Nothing is ever quite finished with; it may always begin over again. And nothing is quite new; it was always somehow anticipated or prepared for. A seamless, formless continuity-in-mutability is the mode of our life. But unhappily as historians we cannot dispense with periods. . . . We cannot hold together huge masses of particulars without putting them into some kind of structure. . . . Thus we are driven back upon periods. All divisions will falsify our material to some extent; the best one can hope for is to choose those which will falsify it least" [De Descriptione 2-3]. 

If Lewis saw the difficulty of arbitrarily setting off one period from another, how much more presumptuous he found attempts to interpret the whole sweep of history. In his essay "Historicism," he pronounced it sheer illusion to suppose that scholars, "by the use of their natural powers, [could] discover the meaning of the historical process" (101). Lewis argues that the great wealth of primary data from the past has been irrecoverably lost. To those who would claim "the important parts of the past survive," Lewis replies that the word important can only mean "relevant to the particular inquiry he has chosen. Thus if he is an economic historian, economic facts are for him important: if a military historian, military facts" (108). 

Lewis feels that even for a theist who believes "history is a story written by the finger of God," there can never exist the conditions to read the text: "If, by one miracle, the total content of time were spread out before me, and if, by another, I were able to hold all that infinity of events in my mind and if, by a third, God were pleased to comment on it so that I could understand it, then to be sure, I could do what the Historicist says he is doing. I could read the meaning discern the pattern. Yes; and if the sky fell, we should all catch larks" (104). Lewis adds that even if we believe that the totality of time is a text written by God, "We have not got it.... We have no notion what stage in the journey we have reached. Are we in Act I or Act V? Are the present diseases those of childhood or senility?" (106) Once again, Lewis stresses the undecidability of many of the great questions we would like to pose. 

In addition to de-centering philosophy and historiography, poststructuralist critics have also denied that written texts have a center. Critics such as Paul De Man, J. Hillis Miller, and Jonathan Culler have best shown what deconstruction looks like when applied to actual texts. But perhaps the most famous project is Roland Barthes, S/Z where he dissects the Balzac story "Sarrasine' into 561 discrete fragments by applying five semiotic codes concurrently to the original text. Barthes makes no apologies for what he calls "manhandling" the text, declaring it to be "a galaxy of signifiers, not a structure of signifieds" (5). Barthes privileges the pluralistic text, because it allows for free play on the part of the reader-as-rewriter (6), allowing her or him to participate in the making of meaning every bit as much as the producer of the text.

One should not expect Lewis to endorse in any such approach to literary interpretation. Yet without adopting Barthes' method, Lewis could also recognize and enjoy texts with pluralistic structures and unresolved centers. He praised The Fairie Queen for its "polyphonic narrative" long before that term came into common use [Spenser 133]. And he reveled in the quality of perpetual irresolution he found in the works of William Morris, noting that "in Morris there are no conclusions. The opposed desires change into their opposites and are lulled asleep and reawake; balance is attained and immediately lost; everything is always beginning over again. It is a dance, not a diagram. It can no more be seized in an epigram, summed up and docketed, than experience itself. ... And as the world of Morris cannot be summed up, so Morris himself escapes definition. What shall we call him? An imaginative positivist? .. A potential mystic inhibited by a too-convinced love of this material world--all these err by representing as fixed something which is really always in solution" (Morris 229). 

I have tried to show here that Lewis was not a reflexive essentialist, one who claimed that his faith commitments gave him some privileged vantage point from which to interrogate philosophy, to see the meaning of history,  or to find the hidden unity of a text. I am not denying that Lewis was in many respects an objectivist (as one would expect from someone who could write an essay entitled "The Poison of Subjectivism"!) His The Abolition of Man attacks relativism as a modern aberration, arguing that basic ethical norms are shared by all cultures. Lewis compiles quotations from Plato, Aristotle, Confucius, Augustine, and a great many world religions, ancient and contemporary, trying to show the universality of basic moral themes. Such analysis is unabashedly foundationalist. Depending upon one's response to the contemporary climate of ideas, The Abolition of Man may seem woefully naive, or else it may seem a trenchant commentary on trends that would become much more pronounced after Lewis's time. 

But how is it that such an unshrinking foundationalist could also present analysis which parallels the de-centering strategies of several postmodern commentators? Bruce Edwards has distinguished between the method of deconstruction and its metaphysics (or anti-metaphysics).  Edwards explains: "In its most innocent form, deconstruction is simply an attempt to deal with the finiteness of human knowledge, the subjective element in human perception. It reminds us of the contingent nature of what we consider knowledge and challenges our easy equation of words with things-in-themselves. As such it serves the discerning critic as a fresh reading strategy with which to sift the text for internal incongruity, contradiction, and ambiguity." (Edwards 29). 

I believe that Lewis was just such a discerning critic, and that his awareness of the "situatedness" of all analysis and the plurality of texts bear out Miller's somewhat glib remark about all good readers being deconstructionists. In his own scholarship, Lewis habitually resisted the totalizing impulse, the urge to reduce complexity and exclude contradiction in order to achieve some spurious unity. 
Lewis would probably not even be bothered today to find himself a foundationalist among anti-foundationalists. He might say, as he did to the New Critics, "If you take your stand on the 'prevalent' view, how long do you suppose it will prevail? . . . All you can really say about my taste is that it is old-fashioned; yours will soon be the same" (Experiment105-106). 

Lewis would also assuredly point out how truly difficult it is to be an anti-foundationalist. In his essay "De Futilitate," he points out that radical skepticism about human thought is self-refuting: "The view that human thought is not true, not a reflection of reality, ... is itself a thought. ... For if all thoughts are untrue, then this thought is untrue. There is therefore no question of total skepticism about human thought" (Futilitate 61).

Of Nietzche, so seminal for post-structuralism, Lewis said, "The Nietzchean ethic can be accepted only if we are ready to scrap traditional morals as a mere error and then to put ourselves in a position where we can find no ground for any value judgements at all... The outsider who has rejected the tradition cannot judge [the values within it]. He has, as Aristotle says, no arche, no premises" (Poison 77). John McGowan in Postmodernism and its Critics makes a similar point, noting that when Nietzsche "strongly declares the Christian response [to suffering] contemptible, he grants himself no grounds for declaring any one response better than another" (McGowan 79). 

The same contradiction occurs in Nietzsche's epistemology. He exclaims, "There are no facts, only interpretations," and adds, "The world has no meaning behind it, only meanings" (qtd. in McGowan 70).  But then he goes on to argue that unifying notions such as substance or reason falsify the reality of multiplicity." (qtd. in McGowan 70). In so claiming,  he is, of course, assuming his is stating a fact and presenting a true meaning. 

McGowan notes a similar tension in the anti-foundationalism of deconstructionists. Derrida exposes the totalizing logocentrism of Western metaphysics only by construing it himself a monolithic structure, repressing major historical transformations in the 3000-year tradition he is surveying (96). Richard Rorty has noted a related paradox: when Derrida reads Western intellectual history in Of Grammatology as a series of philosophies each trying to repress signifiers outside their acknowledged structuration, he is himself offering an ontology and a totalized reading of history (Rorty 243).

It would seem that human thought is imprisoned on a conceptual Mobius strip. Even in trying to move to the opposite of foundationalism, one finds oneself having to assert what R. G. Collingwood called "absolute presuppostions," foundational axioms which must be accepted without proof. Apparently, it is not merely theists or foundationalists who embrace the formula, Credo ut intelligam, "I believe in order to understand."

C. S. Lewis continues to speak to current problems of interpretation and meaning because of his intellectual agility, his willingness to  adopt de-centering strategies at the operational level, while rejecting self-canceling denials about the possibility of "a still point in the turning world." 

Lewis recognized the difficulty of producing any discourse which points to metaphysical realities. In Miracles, he described "the burning and undimensioned depth of the Divine Life" as "unconditioned and unimaginable, transcending discursive thought" (160). In his memoir, Surprised by Joy, he describes his own conversion in terms approaching the mystical: "In the region of awe ... in the deepest solitude there is a road right out of the self, a commerce with something which, by refusing to identify itself with any object of the senses, or anything whereof we might have biological or social need, or anything imagined, or any state of our own minds, proclaims itself sheerly objective. ... the naked Other, imageless (though our imagination salutes it with a hundred images)." (Joy 221). 
I believe that Lewis's relevance--and prescience--in present day discussions of texts is rooted in this characteristic fusion of metaphysical affirmation and epistemological humility.


Barthes, Roland. S/Z: An Essay. Trans. by Richard Miller, New York: Hill and Wang, 1974.

Davis, Robert Con. Contemporary Literary Criticism: Modernism through Poststructuralism. New York: Longman, 1986.

Edwards, Bruce. "Rehabilitating Reading: C. S. Lewis and Contemporary Critical Theory." in The Taste of the Pineapple: Essays on C. S. Lewis as Reader, Critic, and Imaginative Writer. Ed. by Bruce Edwards. Bowling Green, OH: Bowling Green State University Popular Press, 1988.

Johnson, Barbara. The Critical Difference: Essays in the Contemporary Rhetoric of Reading. Baltimore, MD: Johns Hopkins UP, 1980.

Leitch, Vincent B. Deconstructive Criticism: An Advanced Introduction. New York: Columbia University Press, 1983.

Lewis, C. S, "Bulverism." in God in the Dock: Essays on Theology and Ethics. Ed. by Walter Hooper. Grand Rapids, MI: William B. Eerdmans, 1970. 

------."Christianity and Culture" in Christian Reflections. Grand Rapids, MI: Eerdmans, 1973. 

------."De Descriptione Temporum." in Selected Literary Essays. Cambridge: Cambridge UP, 1969.

------. "De Futilitate." in Christian Reflections. Grand Rapids, MI: Eerdmans, 1973. 

------. The Discarded Image. Cambridge: Cambridge UP, 1971.

------."Edmund Spenser." in Studies in Medieval and Renaissance Literature. Cambridge, Cambridge UP, 1969. 

------. An Experiment in Criticism. Cambridge: Cambridge UP, 1961. 

------. "Historicism" in Christian Reflections. Grand Rapids, MI: Eerdmans, 1973. 

------. "Meditation in a Toolshed." in God in the Dock: Essays on Theology and Ethics. Ed. by Walter Hooper. Grand Rapids, MI: William B. Eerdmans, 1970. 

------. Miracles: A Preliminary Study. New York: Macmillan, 1968. 

------. "The Poison of Subjectivism." in  Christian Reflections. Grand Rapids, MI: Eerdmans, 1973. 

------. Surprised by Joy. New York: Harcourt Brace Jovanovich, 1955.

------. "William Morris." in Selected Literary Essays. Cambridge: Cambridge UP, 1969.
McGowan, John. Postmodernism and its Critics. Ithaca, NY: Cornell UP, 1991.

Novick, Peter. That Noble Dream: The "Objectivity" Question and the American Historical Profession. Cambridge: Cambridge UP, 1988.

Rorty, Richard. "Is Derrida a Transcendental Philosopher?" in Derrida: A Critical Reader. Ed. by David Wood. Oxford: Blackwell, 1992.




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