Elizabethtown College

Politics Through Film and Literature (PS 323)                             Dr. W. Wesley McDonald

Tuesday 6:30 - 9:15 p.m.                                                                    Office Nicarry  223

Nicarry 201                                                                                           Ex.:1306

Email:  mailto:mcdonaldw@etown.edu                              

web address: http://www.etown.edu/home/ Mcdonald/Mcdo.html

 

A.        Political Novels

           

            Henry Adams, Democracy

            Truman Capote, In Cold Blood

            Charles Dickens, Hard Times

            William Golding, Lord of the Flies

            Herman Meville, Billy Budd

            Ayn Rand, The Fountainhead

 

B.         Course Description and Objectives

            Political philosophy, understood as a tradition of inquiry having as its ultimate object the comprehensive knowledge of man’s relationship to the state, originated in Ancient Greece.  Since then, following the example of Aristotle, the master political thinkers typically employed the prose essay or treatise to communicate their vision of political reality.  Yet, even the ancient Greeks recognized that the discussion of politics need not be limited to these literary forms.  Greek plays, such as Sophocles’ tragedy “Antigone,” or Aristophanes’ comedies “The Clouds” or “Lysistrata,” represented for them alternative vehicles for the imaginative expression of political ideas.

            In the modern era, likewise, the novel and cinema have influenced and shaped our political consciousness.

            The purpose of this course is to examine some classic examples of these latter art forms and to critically evaluate the political messages their creators intended them to convey.  Through a careful examination of the themes expressed in this diverse group of films and novels, you will be able to critically evaluate widely differing political visions.  It is expected that these films and novels will spark a thoughtful classroom discussion of some of the most significant enduring issues of politics.  Some of the questions to be addressed during the course of this semester are: Are liberty and equality compatible?  Is man by nature good or evil?  Are we obligated to obey unjust laws?  Does the individual have rights against the claims of the state?  Can a totalitarian society alter human nature?  Is politics an inherently corrupting activity?  What are the causes and consequences of war and can war be eliminated?  How can film and fiction be used as instruments of political persuasion?


C.        Requirements of the Course

                                    1.  Examinations:  The mid-term and final examinations will be composed of short answer and essay questions and are designed to test the student’s knowledge comprehension of the films, novels and classroom discussions, and critical thinking skills.

2.  Grading:  The final grade will be based upon:      

                                          

Final examination 30 points
Mid-term examination  30
 Book Review Assignment    30
Class participation and attendance 10

                          

      3.  Book Review Essay:  Write a five page typewritten essay on Democracy by Henry Adams in which you describe the major plot and characters of the novel.  Discuss as well some of the following questions:  What is the point of the view of the author regarding whether American democracy is a success or failure?  What does the author believe to be the major weaknesses of democracy?  Is he optimistic or pessimistic about its future?  Explain, citing examples from the novel.  Would the author be surprised to find that there is still political corruption in Washington, D.C. today?  Explain.

      The essay is due Feb 20.
 
4.  Attendance Policy:  The student will be held responsible on examinations for all lectures and class discussions.  Unexcused absences will adversely affect the class participation grade.

     5.  Code of Integrity:  This course abides by the College’s Code of Integrity.  On all submitted material for a grade, students are requested to sign the following pledge:  “I support the Elizabethtown College Code; I will uphold honesty in our community.”  Infractions of the code will not be tolerated and will be dealt with severely.

D.  Course Outline

I.  Political Satire

Jan. 14               Introduction to the Course
                        a.  Course Objectives
                        b.  Discussion of films and novels a means of political expression and insight

                        How We Learned to Love the Bomb in the Sixties

                                 Film:  “Dr. Strangelove” (1964).  Can the threat of accidental nuclear war be funny?  You wouldn’t think so, but this classic black comedy is hilarious.  This movie made one former Secretary of State livid.  Can you figure out why?


 

II.  War in Film and Novel

Jan. 21             The Anti-War Film:  A Soldier’s View

                        Film:  “All Quiet on the Western Front” -- the horrors of life in the trenches in World War I as seen from the prospective of ordinary German recruits.

Jan. 28             Terrorism and Counter-Terrorism

                        Film:  “The Battle of Algiers”—this classic and rarely seen film today depicts the struggle of the Algerians in the 1950s for their independence from France.  This film is used to train the US military in counter-terrorism techniques.  The successful Algerian revolution became a model for subsequent terrorist movements.

                        Assignment:  Adams, Democracy, chapters 1-3

III.  The Nature of Totalitarian and Democratic Forms of Government

Feb. 4              The Nature of Totalitarianism:  Science fiction as predictive history

      Film:  “1984” – the noted actor Richard Burton’s last film.  Were Orwell’s pessimistic predictions about the modern world justified?  Does the modern bureaucratic state resemble Orwell’s dystopia?  Why does the modern totalitarian state want more than merely obedience from its subjects?

Warning:  This film does contain brief nudity.

Assignment:  Adams, Democracy, chapters 4-5

Feb. 11            A Futuristic World of Ultraviolence

      Film:  “A Clockwork Orange” (1971)  In a futuristic world where all moral restraint has broken down, society is terrorized by gangs of psychopathic ultraviolent killers.  Using the techniques of modern behavioral modification, society “cures” one of the killers of his violent tendencies.  But the question remains:  Can a person be called “human” if he or she can no longer chose to do evil.

Warning:  This is a R-rated film that contains disturbing scenes of violence including rape.  Some people may object to seeing these images.  If you wish not to see this movie, please inform the instructor at the beginning of the course and other arrangements will be made.

                                Assignment:  Adams, Democracy, chapters 6-7

Feb. 18            Democracy, Leadership and Political Corruption

                        Film:  “All the King’s Men: -- based on Robert Penn Warren’s classic novel about political demagoguery, power, greed and corruption in the Deep South before Watergate, Clinton, Paula Jones and Newt Gingrich.

                        Assignment:  Adams, Democracy  8 – conclusion

 


Feb. 20            Reforming the System Through the Law

                        Film  “A Civil Action”  A crusading attorney struggles vainly to protect a community against toxic chemical health hazards caused by polluting industries.  Is this film an indictment of corporate America or toothless environmental laws?

                          Assignment:  Book review essay due.

Feb. 27            MID-TERM EXAM   -  TWO HOUR ESSAY

IV.  Human Nature and Justice

March 11           Justice and the Law:  Are They Compatible?

                        Film:  “Billy Budd”  -- actor and director Peter Ustinov’s personal interpretation of  Meville’s allegory.  Does the film interpretation of this classic sea story distort Melville’s point?
                        Assignment:  Meville, Billy Budd, pp 7-89 (or just the short story “Billy Budd”); Rand, Fountainhead, Part I

March 18         Rule of Law Versus Political Expediency

                        Film:  “A Man for All Seasons”—a classic confrontation between an absolute sovereign who believed that he is above the law and one of his ministers who affirmed with his life his commitment to the rule of law.

                        Assignment:  Rand, Fountainhead,  Part II

March 25           Human Nature: Is Man Innately Good?
Film:  “Lord of the Flies”  -- a grim and disturbing portrait of a group of upper-class English school boys marooned on a desert island.  Who said children are “innocent?”

                        Assignment:  Golding, Lord of the Flies

April 1              An Examination of the Criminal Psych
Film:  “In Cold Blood” -- a true story of a brutal and senseless murder of an innocent Kansas family.  What were the killers’ motives?  Guest lecturer Professor Russell Eisenbise will offer his personal recollections of the Clutter family.

                        Assignment:  Capote, In Cold Blood

V.  Propaganda and Ideology

April 15            Film as an expression of nationalistic spirit.
Film:  Sergei Eisenstein’s “Alexander Nevsky”  -- a powerful expression of pre-World War II Russian nationalism.  A copy of the movie’s subtitles will be handed out in class.

                        Assignment:  Rand, Fountainhead,  Part III


April 15            Literary Imagination in an Age of Utilitarianism:  Charles Dickens’ critique of 19th Century Liberalism.

                        Assignment:  Dickens, Hard Times

No film this week -- a roundtable discussion of the themes of Dickens’ novel.  Everyone will be expected to participate.

April 29            Individualism vs. Collectivism: The Program Novel
In this lengthy novel, Rand strives to articulate a complete philosophy of life and politics - Objectivism.  Are we now living in the grim collectivist world of mediocrity and hypocrisy envisaged in her 1940s novel?

          Film:  “The Fountainhead”  Which are you -- a creator or a parasite?

                        Assignment:  Rand, The Fountainhead Part IV

May 6              FINAL EXAM   -   2 HOURS